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“The Serbian Bastille”

Identifieur interne : 000316 ( Main/Curation ); précédent : 000315; suivant : 000317

“The Serbian Bastille”

Auteurs : Christine Lavrence

Source :

RBID : ISTEX:6A0ECD1677F82DCDF29DA72E549693D4B85D5994

English descriptors

Abstract

This article examines the relationship between memory, agency, and place in a central “ lieu de mémoire” in downtown Belgrade called Republic Square. On the basis of archival and ethnographic research, the “symbolically charged” nature of the square is examined in terms of how its meaning has fluctuated over time and how it has been appropriated by the state and social actors at various historical moments. The national memory inscribed in the square is explored in relation to the city as a social space and, at times, a competing community of memory. The square is examined as a space where divided memories are negotiated and where the desire for entry into the symbolic terrain of Europe has been staged over the past century.

Url:
DOI: 10.1177/1206331204272256

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ISTEX:6A0ECD1677F82DCDF29DA72E549693D4B85D5994

Curation

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Christine Lavrence
<affiliation>
<mods:affiliation>Université Laval</mods:affiliation>
<wicri:noCountry code="no comma">Université Laval</wicri:noCountry>
</affiliation>

Le document en format XML

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<term>Absolute unity</term>
<term>Aleksic</term>
<term>Architectural heritage</term>
<term>Balkan</term>
<term>Balkanist</term>
<term>Balkanist discourse</term>
<term>Balkans</term>
<term>Bastille</term>
<term>Belgrade</term>
<term>Bombing campaign</term>
<term>Civic unrest</term>
<term>Columbia university press</term>
<term>Complex relation</term>
<term>Downtown core</term>
<term>Final departure</term>
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<term>French bastille</term>
<term>German occupation</term>
<term>Grada</term>
<term>Ideological antagonisms</term>
<term>Imaginary terrain</term>
<term>Jansen</term>
<term>Knez mihailo</term>
<term>Memory trajectory</term>
<term>Mihail</term>
<term>National assertion</term>
<term>National battle</term>
<term>National theatre</term>
<term>Nationalist climate</term>
<term>Nato bombing</term>
<term>Nora</term>
<term>Official history</term>
<term>Opposition demonstrations</term>
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<term>Other hand</term>
<term>Ottoman</term>
<term>Ottoman administration</term>
<term>Ottoman empire</term>
<term>Political geography</term>
<term>Political site</term>
<term>Prince mihail</term>
<term>Prince mihail dossier</term>
<term>Prince mihail street</term>
<term>Public memory</term>
<term>Public space</term>
<term>Republic square</term>
<term>Republic square dossier</term>
<term>Serb</term>
<term>Serb autonomy</term>
<term>Serbia</term>
<term>Serbian</term>
<term>Serbian autonomy</term>
<term>Serbian bastille</term>
<term>Serbian history</term>
<term>Serbian nationalism</term>
<term>Serbian state</term>
<term>Skalamera jakovljevic</term>
<term>Slavic review</term>
<term>Social actors</term>
<term>Spasic pavicevic</term>
<term>Spatial politics</term>
<term>Stambol gate</term>
<term>Symbolic resonance</term>
<term>Television serbia</term>
<term>Theatre square</term>
<term>Uprising</term>
<term>Urban space</term>
<term>Vujovic</term>
<term>Zastitu spomenika kulture grada beograda</term>
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<div type="abstract" xml:lang="en">This article examines the relationship between memory, agency, and place in a central “ lieu de mémoire” in downtown Belgrade called Republic Square. On the basis of archival and ethnographic research, the “symbolically charged” nature of the square is examined in terms of how its meaning has fluctuated over time and how it has been appropriated by the state and social actors at various historical moments. The national memory inscribed in the square is explored in relation to the city as a social space and, at times, a competing community of memory. The square is examined as a space where divided memories are negotiated and where the desire for entry into the symbolic terrain of Europe has been staged over the past century.</div>
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{{Explor lien
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   |area=    DiesIraeV1
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   |clé=     ISTEX:6A0ECD1677F82DCDF29DA72E549693D4B85D5994
   |texte=   “The Serbian Bastille”
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